The Mountaintop - Playhouse on Park

The Mountaintop, receiving a superb production at Playhouse on Park, is a fictional work by playwright Katori Hall that takes place on the eve of Martin Luther King Jr.’s assassination.  Set in Room 306 of the Lorraine Hotel, this two-person show is a captivating and affective piece of theater.

 

The production opens in a small, disheveled, ordinary looking hotel room.  King (Torrey Linder) is ruminating about the weighty undertakings he needs to address while in Memphis to support the sanitation worker’s strike.  Seeking a cup of coffee, he calls for room service and soon a young, attractive maid, Camae (Jasmine Shanise) arrives. The two quickly develop a very comfortable rapport.  The conversations between the sassy, care-free hotel worker and the revered civil rights leader range from portentous themes to more run-of-the-mill topics.  They become friendly and playful until a surprise twist adds a more otherworldly and meditative end.

Torrey Linder and Jasmine Shanise in The Mountaintop.  Photo by Meredith Longo.

Playwright Katori Hall took inspiration for the play from King’s “I’ve Been to the Mountaintop” speech, delivered the night before his assassination.  In that address he declared, "We've got to give ourselves to this struggle until the end.”  An eerie premonition the night before his death.  Hall has crafted the show to allow the characters to discuss and debate numerous highly charged issues of the day, including race, the civil rights movement, and political turbulence.  King also confides to Camae about his misgivings, fears and even death. 

 

Hall took a lot of push back for humanizing the spiritual leader - showing “warts and all” - but the portrayal, in a fictional manner, allows for a fuller picture of King the human being. Some of the character monologues approach preachiness, but the overall impact is engrossing and powerful.

 

Torrey Linder in The Mountaintop.  Photo by Meredith Longo.

Torrey Linder is a natural to play Martin Luther King, Jr.  He has handsome features, and a booming voice finely enriches his oratorical remarks and flourishes.  However, the strength in his performance is the manner he presents the clergyman as an ordinary man who changed a nation.  The actor convincingly conveys the multiple layers to King’s persona as he struggles with the weighty issues of the day.  He is both confident in his on-going work but, at times, questioning his resolve and actions.

 

Jasmine Shanise brings spunk and a street-smart toughness to the role of Camae.  She is nobody’s fool and quickly develops a well-rounded portrayal of her character.  Her patter can occasionally be too quick, but once she settles into the role, the easy going, yet fitful rapport she has with the civil rights giant becomes more natural. She demonstrates her acting range as the frisky, soul-searching banter in the beginning of the play turns more solemn and supernatural.

Jasmine Shanise in The Mountaintop.  Photo by Meredith Longo.

Working within the premise of playwright Katori Hall’s fictional scenario, Director Jamil A.C. Mangan deftly creates an interaction between the two protagonists that is believable and organic.  He effectively incorporates enough busyness and creative machinations to keep the momentum of the two-person show flowing without going stale.  He skillfully directs a seamless transition between the two segments of the show, beautifully and artfully sequencing to the transcendental conclusion.

 

Patti Panyakaew’s set design has a claustrophobic and disheveled authenticity.  Matthew Weisgable’s lighting and Carter Mangan Jr.’s sound design, especially with the lightning and thunderstorm raging outside the hotel room - almost Biblical in its rage - is extremely effective.   Christian Killada’s projection array at the show’s conclusion is compelling and haunting.

 

The Mountaintop, playing at Playhouse on Park through March 22.  Click here for dates, times, and ticket information.