I’m Connecticut, playing at the Ivoryton Playhouse through April 19, has a lot of laughs. And I did laugh, but I’m someone who is always in stitches at the bean-eating sequence in Blazing Saddles and thinks the Three Stooges are comedic heaven. In I’m Connecticut, the humor is decidedly of the lowbrow, sophomoric, and scatological variety, but what would you expect from a writer for The Simpsons?
Stuart Brown is the founder of the 24/7 online Broadway music radio station, Sounds of Broadway (http://www.SoundsofBroadway.com), which plays the best from the Off-Broadway, Broadway, and London stage. Thousands of songs from hundreds of cast albums are in rotation. He reviews NYC theater as a member of the Outer Critics Circle and reviews CT stage productions as a member of the CT Critics Circle. He is also a member of the Dramatist Guild.
Monday, March 30, 2026
I'm Connecticut - Ivoryton Playhouse
The show is a classic take on boy meets girl, boy loses girl, and
finally wins her hand. The plot centers on Marc, a lonely, lovelorn
neuroscientist from the boring state of Connecticut, who begins dating
an attractive receptionist, Diane, from a speed-dating business. The
relationship goes smoothly until a lie he used comes back to haunt him.
As he attempts to win her back, Marc is pelted with advice from several
people, including his overweight colleague, Kyle, and even Mark Twain.
However, with help from his forgetful grandfather (Alzheimer’s) and
Diane’s shoot-from-the-hip southern mom, Polly, Marc reunites with his
true love. And maybe granddad and Polly do too.
Playwright Mike Reiss takes no prisoners in his writing, using the
Holocaust as a significant storyline, and mocking, teasing, and taunting
Jews, Canadians, Southerners, the elderly, and the genitalia of various
states of the Union (it is actually a funny bit). The characters in
the show are more two-dimensional than fully developed. The play’s
structure comes off as a series of connected sketches rather than a
fully realized comedic work. The show, broken up into a 60-minute Act I
and a 25-minute Act II, could have easily been condensed into a full
one-act, especially when trimmed of some superfluous material.
Director Jacqui Hubbard keeps the pacing quick and ensures the
set-up for the laughs is secure. Cultivating well-defined characters is
not the mission, but to keep the play thumping forward. Some of the
routines work better than others, such as the aforementioned battle of
the states, but others, such as a Connecticut history lesson and the
audience participation moments, fall flat. John Horzen’s colorful
projections along the edges of the proscenium stage are playfully
reminiscent of the 1960’s TV show The Dating Game, and are satisfyingly incorporated into Scenic Designer Starlet Jacobs’ sliding sets.
The affable cast is led by Quinn Corcoran as the ever-hopeful young
man from Simsbury. Marc. The actor comes across as likably bland, which
is exactly what is called for in the role. Deanna Scott brings a
cheery disposition to Diane and does manage to inject some depth into
her performance. The featured members of the show provide ample support
– John C. Baker as a befuddled Mark Twain; Michael Barra as Marc’s
hefty friend, Kyle; Bonnie Black as a feisty wife and the wise-cracking
Polly; R. Bruce Connelly as the sometimes bewildered grandpa; and
Kenneth Robert Marlo as the tough-talking manager of the speed-dating
service.
I’m Connecticut, playing at the Ivoryton Playhouse through April 19. Click here for dates, times, and ticket information.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment