Most of us have had a roommate at some
point in our life, maybe as an incoming college Freshman or when looking for
someone to share costs for a just attainable big city apartment. Roommates are usually for the under 30 age
group. But what about older adults? What would that be like? In writer Jenn Silverman’s play, The Roommate, she takes two, early 50’s aged
women and weaves together a mildly amusing comedy.
We are introduced to Sharon (Linda
Powell), an Iowan homeowner, who takes into her house native New Yorker, Robyn
(Tasha Lawrence). The two divorced women
could not be more different in looks, demeanor, and background. Their tentative relationship quickly develops
into a more solid rapport and, finally, friendship. While their personalities and backgrounds are
distinct, they do share some common ground, most notably an unsettled bond with
their grown child. Sharon, introverted,
with few interests, becomes enamored with Robyn’s more colorful past and seeks
to emulate her exploits, which ends up changing the dynamics of their
relationship and, in the end, each other’s lives.
Jen Silverman’s script is mostly entertaining
as the contrasts between the two characters is emphasized. The theme has been reworked for the stage
many times before, most notably with Neil Simon’s The Odd Couple. The
scenarios and camaraderie between the protagonists feel natural. The playwright’s ambiguous ending rings true
as the audience is left to come up with its own conclusions. I do quibble with how Sharon’s reactions to Robyn’s
New York City roots, sexual orientation, and former “professions” are
portrayed. While humorous, the gasps and
incredulousness of Sharon come across as somewhat cliched in today’s world.
The two actresses fully embody their
disparate roles. Linda Powell imbues
Sharon with an unadorned poise that, initially, is wide-eyed with a gaping
disposition. As the story develops, she effectively
transforms from a somewhat reclusive, directionless persona to someone who
develops into a confident woman with a devil-may-care approach to living. Tasha Lawrence convincingly instills Robyn
with an air of mystery and even danger. The
actress displays a well-spring of conflicting emotions and uncertainties, at
times hardened and confused as she looks to jumpstart her life.
Director Mike Donahue adroitly keeps the interaction
between the characters within the kitchen area of Dane Laffrey’s expansive,
detailed set design, which encompasses a spacious, airy kitchen and dining and
living rooms. This affords him the
opportunity to focus the audience’s attention on both familiar domestic life
rituals, such as the drinking of morning coffee, with the more uncharacteristic
conversations and activities the two characters have. A two-person play is always difficult when it
comes to pacing and variations in staging, but the director effectively mixes up
the action by introducing an assortment of props and conversations on a land
line telephone.
The Roommate, diverting and
engaging, playing at Long Wharf through November 4th.
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