I saw The River on Broadway a few years
ago. The production starred Hugh Jackman
and I was anticipating a scintillating piece of theater. Instead, by the end of the 80 minute,
intermission-less show I was scratching my head trying to figure out the play’s
meaning and purpose. When it was
announced to be part of the 2018-2019 Theaterworks season I thought it would be
a good opportunity to reevaluate my previous appraisal.
Unfortunately, The River is still a meandering
meditation on a man’s search for the perfect “catch.” There are many fish(ing) metaphors in the
play. The characters talk about fish,
reminisce about fishing exploits, and one is even prepared on stage.
The show is centered
in a rustic cabin, fastidiously designed by Brian Pather. The one room dwelling is crammed with nooks
and crannies and flanked on either side by birch tree saplings. We are introduced to characters simply titled
The Man (Billy Carter) and The Woman (Andrea Goss). The dialogue, when not centered on the
aquatic animals, is very lyrical and poetic but I just kept thinking that people
don’t talk like this. Very beautiful to
listen to, but disharmonious within the setting.
Within a very short
time The Woman leaves the stage and The Other Woman (Jasmine Batchelor) enters,
just about replaying the previous scenes.
Who is she? What happened to The
Woman? Playwright Jez Butterworth seems
to showing the man at different points of his life and how the women he falls in
love with are never the right one so he always deems it necessary to throw them
back and out of his life. Will he ever
succeed? Back and forth the two women enter
and leave the stage until The Man is, finally, alone.
One could wax poetic
about the play or talk about the mythical underpinnings that Butterworth is
trying to convey but, in the end, the audience needs to be entertained and in The River not much happens. The inaction undercuts whatever message the
playwright is trying to impart. The play
is the type of production one either falls under its atmospheric spell or
ponders and wonders.
The cast - Billy
Carter Andrea Goss Jasmine Batchelor - is earnest and committed to fortifying
their characters with passion and deeply held convictions. They are expressive whether displaying
feelings of angst or disquietude.
Director Rob
Ruggiero brings an intensity to the events within the small confines of the
onstage room. There is a lilting quality
to his direction, which effectively draws out the sometimes raw emotions of the
performers. He also handles the time shifting component of the production with
aplomb and a seeming nonchalance.
The River, playing
at Theaterworks in Hartford through November 11th.
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