Midway through the first act of the
resplendent production of Steel
Magnolias, playing at Playhouse on Park, one of the ladies at Truvy’s
Beauty Salon states, “This is woman’s territory.” How true. In
Robert Harling’s genial and tenderhearted play, the six woman of Chinquapin,
Louisiana rule the roost. There lives, from the mundane and
everyday, to life changing moments, are warmly and affectionately celebrated.
All the action of the show takes
place in the small southern town’s beauty parlor where, at first, the local
matrons are gathering to fuss and chitchat about the upcoming wedding of hometown
girl, Shelby. The conversations
and playful banter between the women, as the bride-to-be gets primped and styled,
come off as natural and unforced.
We learn about each character—the high-spirited Shelby; her petit, but
dynamic mother, M’Lynn; the perky salon owner, Truvy; her young and naïve
assistant, Annelle; the deceased Mayor’s wife, Clairee; and the wise-cracklng
resident, Ousier. The dramatic highpoint
of the production comes towards the end as tragedy strikes one of the central
members of this tight-knit group.
Jill Taylor Anthony as Truvee, Peggy Osbourne as Ouiser, Susan Slotoroff as Shelby, Liza Couser as Anelle, Dorothy Stanley as Clairee (photo Curt Henderson) |
Harling has written a play where
not much really happens beyond idle chatter and juicy gossip. There’s a lot of this and that. Problems and scenarios are presented
and easily resolved. Still, even
with the matter-of-fact slice-of-life plot lines, the characters resonate with
the audience. They are encouraging
and affectionate of one another and we, in turn, grow to care and become
supportive of them. In a way, the
show is like old-fashioned, satisfying comfort food. It makes you feel good and leaves you blissfully content at
the end.
The cast has an easy, unmistakable
rapport with one another. They are
led by Susan Slotoroff as Shelby. A Playhouse on Park regular, the actress does a fine job
radiating optimism and a full-of-life bravado. Jeannie Hines has the role of the overly protective,
worrisome mother, M’Lynn, down pat.
Jill Taylor Anthony is buoyant, yet sensible as Truvy, the mostly
unflappable ringmaster of the group.
Liza Couser’s Annelle shows growth and purpose, the one character that
undergoes any transformation during the production. Dorothy Stanley’s Clairee, widowed, but whole-heartedly
alive, brings forth a vitality and intrepidness to her role. Peggy Cosgrave’s Ousier is a
pistol. Audacious and disagreeable
to a fault, she adds needed comic relief whenever the air gets too heavy.
Liza Couser as Anelle, Jill Taylor Anthony as Truvee, Peggy Osbourne as Ouiser, Susan Slotoroff as Shelby (photo Curt Henderson) |
Susan Haefner has a laid back,
easy-going manner with her direction.
She skillfully maneuvers the cast members around Set Designer David
Lewis’ realistic, homespun beauty parlor without the actresses remaining too static
and passive. She produces a
relaxed, almost informal mood on stage that is more deftly planned and executed
rather then mere happenstance. Occasionally,
the characters are edged to the corners of the three-sided performing space,
which impedes the audience’s sight lines, but this problem is a minor one. Ms. Haefner adroitly handles the play’s
climatic scene with tact and compassion.
Steel
Magnolias, a breezy and engaging production, playing through January 28th.
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