George Clooney’s return to live theater is a triumph. In Good Night, and Good Luck, the
Hollywood star proves his mettle on the Broadway stage where he
portrays the legendary newscaster Edward R. Murrow. The show, based on
the movie of the same name, centers on his reportage, and ultimate
take-down, of the junior Senator from Wisconsin, Joseph McCarthy, whose
anti-Communist crusade brought a dark period to the country. Clooney
and Grant Heslov wrote the screenplay for the film and have adapted it
for the stage. It is a no-nonsense, fast-moving production that is
enlivened by Scott Pask’s highly detailed, large-scale Scenic Design of
the CBS television studios. Daniel Kluger’s well-calibrated, ambient
Lighting Design and David Bengali’s superb projections contribute to the
realism of the show.
With Clooney in the lead, the producers have been able to surround
him with seasoned actors and a cast size that accurately depicts how the
news is debated, gathered, and finally presented to the American
people. Clooney, who has the look, cadence, and mannerisms of Murrow
(including his constant smoking), brings a deliberate and intense focus
to the role. It’s not flashy, but his passion and forcefulness shine
bright. While his name is above the title, he unselfishly subsumes
himself within the dynamics of the show.
Director David Cromer assuredly helms the production, weaving in all
the characters, with their hurriedness and assorted assignments. The
Winter Garden stage is a large space, but by compartmentalizing, the
director makes the events flow effortlessly and keeps the focus on the
weightiness of the story. He deftly incorporates the video projections
where they become a central, but not overpowering feature, of the show.
Cromer also utilizes a unique device for scene changes - a jazz combo
with the sounds of the day, led by the smooth-sounding Georgia Herrs, in
a recording studio, above the stage.
In addition to George Clooney, other notable actors among the cast
are Glenn Fleshler as the affable, principled Fred Friendly, Murrow’s
producer (the role Clooney played in the film); Clark Gregg as Murrow’s
friend and fellow broadcaster, the troubled Don Hollenbeck; and Paul
Gross as the questioning, but steadfast supporter, CBS President William
F. Paley.
From the very first moments of the show, when Edward R. Murrow is at
a podium in front of the curtain, delivering a low-key, yet passionate
speech, the similarities to today’s political world are, sadly,
striking. Everything the newsman fought against – the untruths, unjust
persecutions, contempt for the law of the land – are repeating
themselves over 70 years later. The show, which uses McCarthy’s own
words to indict himself, demonstrates what a free, unencumbered press
can accomplish.
Good Night, and Good Luck, playing at the Winter Garden Theater through June 8, 2025.
No comments:
Post a Comment