Jekyll and Hyde, playing now at Hartford Stage, should not be confused with the well-known Frank Wildhorn musical. This version, which kicks off the theater's current season, is a dramatic work based on the Robert Louis Stevenson novella. Playwright Jeffrey Hatcher’s adaptation is entertaining and highly theatrical. He throws in a splattering of comedic touches along with the requisite thrills and chills. Director Melia Bensussen, working with Scenic Designer Sara Brown’s eerily Gothic set and Evan C. Anderson’s atmospheric Lighting Design, has cast members scurrying about - popping up from the floor, winding their way down an on-stage stairwell – in a well-orchestrated fast-paced manner. Jane Shaw’s original music provides an ominous, foreboding feel to the show.
Stuart Brown is the founder of the 24/7 online Broadway music radio station, Sounds of Broadway (http://www.SoundsofBroadway.com), which plays the best from the Off-Broadway, Broadway, and London stage. Thousands of songs from hundreds of cast albums are in rotation. He reviews NYC theater as a member of the Outer Critics Circle and reviews CT stage productions as a member of the CT Critics Circle. He is also a member of the Dramatist Guild.
Wednesday, October 30, 2024
Jekyll and Hyde - Hartford Stage
The story, recounted numerous times in film, TV and stage
productions, follows Dr. Henry Jekyll, a respected London-based doctor
as he experiments with a potion he hopes will help repress his immoral,
vile sensations. The result is a transformation into the evil,
murderous Edward Hyde. During the timeframe of the show, we are
introduced to Gabriel John Utterson, Dr. Jekyll’s lawyer friend;
Utterson’s cousin, Richard Enfield; the pompous, Sir Danvers Carew, a
rival of Dr. Jekyll; a Dr Hastie Lanyon, a mutual friend of Jekyll and
Utterson; Dr. Jekyll’s servant, Mr. Poole; and a hardscrabble woman,
Elizabeth Jelkes, who becomes a paramour to Mr. Hyde. All the
characters interact with Dr. Jekyll/Mr. Hyde at some point, followed by
murder and mayhem for a few of them. The end is tragedy for the dual
characters.
What has made the story of Jekyll and Hyde so popular over the
decades are its universal themes. There is, among others, man’s inner
struggle and tension between good and the evil, the question of
morality, and the conflict between one’s external decorum and private,
lustful yearnings. Hatcher has effectively woven these topics into the
show without succumbing to preachiness or unnecessary orations. The
playwright puts a satisfying spin on the transformation scenes. Nathan
Darrow, who plays Dr. Jekyll with Victorian understatement, doesn’t
physically contort himself, for example, like John Barrymore in the
classic 1920 film version. In this production, Mr. Hyde is represented
by up to four of the other actors, which allows the action to move
steadily along without unnecessary histrionics and gives a more layered
approach to the transformation and resulting change.
Ms. Bensussen has the acting troupe tackle the script with a
straightforward, earnest approach. She also imbues the production with
some lighthearted moments to leaven out the horror and mayhem. The
director nimbly handles the transformation scenes as she keeps the play
running at a lively tempo.
Most of the actors and actresses, in addition to their primary roles,
are called upon to fill in with other characters, which they do in a
quick and effortless manner. The cast, with marvelous period outfits by
Costume Designer An-lin Dauber, is led by Nathan Darrow as Dr. Jekyll.
He conveys both a highbrow snootiness and the distress of a man in
constant turmoil with himself. Omar Robinson, stolid and reserved as
the lawyer Gabriel Utterson, is also the most menacing of the Mr.
Hydes. Nayib Felix shows the most range in the his multiple characters,
which include Dr. Carew, the Inspector and, for good measure, an
intimidating Mr. Hyde. Peter Stray gives a rewarding performance as Dr.
Lanyon. Sarah Chalfie’s Elizabeth Jelkes, an invention of Hatcher,
delivers an effective portrayal of the doomed woman from the lower
class. She superbly embodies a woman of strength and resolve and is a
fitting counterpoint to the upper class gentlemen. Jennifer Rae
Bareilles is satisfying in the more understated role of Mr. Poole.
Dr. Jekyll and Mr. Hyde, playing at Hartford Stage through November 3. Click here for dates, times, and ticket information.
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