Before Jonathan Larson wrote the
score and book of the Pulitzer Prize and Tony Award winning musical Rent, he conceived a one-man show
entitled tick, tick…BOOM! This autobiographical tale is receiving
a vibrant and inspiring production Off-Broadway at the Acorn Theatre through
December 18th.
Since Larson’s death, the show has
been expanded to three characters—Larson; his girlfriend, Susan; and best
friend, Michael. The story centers
on his upcoming 30th birthday and how this milestone impacts him
personally and professionally. It
is a fact-based narrative by a struggling artist, during the dawn of the AIDS
epidemic, who believed in himself and his work as he attempted to find his
niche in the world. By broadening the original concept to multiple performers playwright
David Auburn gives the production more depth and allows a fuller telling of the
artist’s story.
George Salazar, Nick Blaemire, and Ciara Renée in Jonathan Larson's "tick, tick...BOOM!" |
The songs Larson wrote, performed
by a four-piece band on stage, include raucous rockers and heartfelt
ballads. They speak to his
personal experiences, relationships, and angst in trying to change the American
musical theater. The musical
numbers are performed with passion and zest by the trio of actors. The raw emotions infused in Larson’s
compositions ring true and foreshadow some of his output for Rent.
The group of performers work well
as a small ensemble. They are led
by Nick Blaemire as Jonathan Larson. He gives an edgy performance tinged with hope as well
as despair. The pain and
helplessness he feels is so prevalent among individuals trying to make it in
“the business” that his vulnerabilities and despondencies resonate with
authenticity. Ciara Renee as
Larson’s girlfriend, Susan, is radiant in her “Green Green Dress.” She possesses a dynamic voice and
convincingly sways from supportive soul mate to, finally, a woman who needs to
be faithful to her own goals and aspirations. George Salazar as the composer’s best friend, Michael, gives
a multi-faceted performance in both sickness and in health. He is, at times the comic foil and at
other moments a lecturing, sobering big brother.
Director Jonathan Silverstein,
keeps the actors fast afoot as, sometimes, they literally bound off the
minimally arrayed set, which includes few props with piano center stage. He keeps the focus on Blaemire, as
Larson, with the other characters revolving around his sphere of creative
energy. The director is also able
to dramatize the powerful determination and dreams inherent in all hungry,
aspiring performers.
tick,
tick…BOOM! An entertaining and tuneful show in an intimate
environ. A must for Jonathan
Larson fans.
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