Friday, November 8, 2019

Review of "Cry It Out"

Rachel Spencer Hewitt and Evelyn Spahr from Cry It Out, playing at Hartford Stage thru Nov. 17th.

Raising a newborn can make for unlikely friendships and interpersonal interactions. In playwright Molly Smith Metzler’s often rib-tickling and heart rendering comedy-drama Cry It Out, two women, neighbors from different socio-economic worlds, nonetheless begin to bond as they navigate the intimidating, sometimes unnerving responsibility of caring for an infant.  Added to their anxiety, and producing a bit of drama on its own, is the sudden appearance of another neighbor looking to have his wife included in the duo’s daily get-togethers. 

Jessie (Rachel Spencer Hewitt), a high-powered lawyer on leave from her New York City firm, lives in an apartment with her financier husband on Long Island’s North Shore.  Lina (Evelyn Spahr), residing next door with her husband in her mother-in-law’s home, is an entry level hospital worker originally from the South Shore with a brash demeanor and attitude. On the surface, they are as dissimilar as two people could possibly be, but when it comes to caring, fretting, and loving a newborn child differences quickly evaporate. At first, Jessie invites Lina over for coffee. Their initial encounter is awkward and forced, but as their backyard meetings continue their tentative relationship grows into a real friendship.  Enter Mitchell (Erin Gann), a well-to-do entrepreneur who lives on a ridge overlooking Jessie’s yard.  He asks the women if his wife, who recently gave birth, could become part of their soirees.  Reluctantly, Jessie and Lina agree, but the arranged tryst with his wife Adrienne (Caroline Kinsolving) does not go so well.  Soon, challenging changes take place, altering each person’s familial dynamics.

Playwright Metzler deftly brings out many issues women face after childbirth—emotional bearing, marital relationships, and the question of staying home or returning to work.  The conversations appear real and heartfelt.  What is less successful is when the characters Mitchell and Adrienne are inserted into the flow of the production.  Their entrances disrupt the seamless nature of the play Metzler has constructed.  While a resolution is not necessarily needed for the show, a more layered conclusion would have been less abrupt than what is presented. 

The cast is assured and sharp with Evelyn Spahr, as Lina, having the juiciest, in-your-face role.  The actress consistently has the best comedic lines.  While, initially, appearing like a complete fool, she turns in a more measured, warmhearted performance.  Rachel Spencer Hewitt gives her character Jessie a multifaceted look.  You can feel her inner turmoil as she debates what is best for herself and her young family.  In two short scenes, Caroline Kinsolving has the difficult task of making her character Adrienne both bitchy and sympathetic.  She does so with sophistication and aplomb and demonstrates you can’t always judge a book by its cover.  Erin Gann is a bit manic as Mitchell.  More restraint and nuance would have enhanced his characterization.

Director Rachel Alderman builds a believable relationship between Jessie and Lina.  Their scenes come across as genuine, playful, and full of humor.  She adorns the show with lighthearted embellishments such as the “Tick Tock” bedtime song the two friends enact and the slight histrionics exhibited by Lina.  There are some miscues, such as an egging sequence but, overall, the direction is strong and convincing.

Scenic Designer Kristen Robinson’s slightly elevated circular set, covered in grass and leaves, has a fishbowl effect with the audience observing, admiring and judging what is presented on stage.

Cry It Out, playing at Hartford Stage through November 17th.  Information is at

Portions of this review have been previously published.

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