Four very close college friends, still
together in their late 20’s, gather to celebrate at a New York City club the
engagement of one of their own. Kiki, somewhat
untamed and sloshingly drunk, is having the time of her life with her best pals. She is
the first among the four to tie the knot in playwright Joshua Harmon’s funny,
touching, and bittersweet meditation on the true meaning of friendship as millennials
age and take the next step in their lives.
The bond between the diverse group could only be forged during the
collegiate years. They are Vanessa, now a
book editor, who nonchalantly fixates on death; Laura a school teacher; and
Jordan, a gay man working in an advertising agency with Kiki. Slowly, each of his female buddies becomes
involved with the man of her dreams. Each
time an engagement is announced and a wedding celebrated Jordan feels more removed
and alone. His forays into dating and relationships
go nowhere and his only solace are conversations with his elderly grandmother. In the end, Jordan is literally by himself on
stage as he, and we, ponder his future.
Joshua Harmon has crafted a play full of
honesty, comic, and heart wrenching moments.
There is a genuine quality to the storyline and the individuals portrayed.
Harmon has developed characters you may
know or experiences your college graduated children may be facing. You quickly become drawn into the ups and
downs of their lives. I don’t remember a
time in the theater where, at two critical moments, the audience both
collectively sighed and gasped. We care about the ramifications unfolding
before us.
The ensemble cast is led by the superb
performance of Gideon Glick as Jordan Berman.
He is the focus of our attention during the show as he works through the
emotions of losing, one-by-one, his dearest friends. The actor is lively, spontaneous, and
vulnerable. Lindsay Mendez’s Laura is the soulmate of
Jordan. The two are peas in a pod,
sharing moments and experiences. She
instills a realism and sincerity into her character, showing compassion and
empathy for Jordan’s travails. Rebecca
Naomi Jones as Vanessa and Sas Goldberg as Kiki are spunky, somewhat
over-the-top as they add some spice to the more melancholy moments in the
production. Both John Behlmann and Luke Smith, playing multiple roles, give
their characters an appealing and agreeable assortment of distinctive looks. The theater veteran Barbara Barrie’s portrayal
of Helene is understated and provides balance to the more destabilized and
shifting lifestyles of the other cast members.
Luke Smith, Rebecca Naomi Jones, Gideon Glick, Sas Goldberg and John Behlmann. Photo by Joan Marcus. |
Director Trip Cullum brings a fresh and
very real perspective to the production.
He has created an atmosphere where the performers come across as authentic
in their feelings and actions. He does a
superb job with movement on the small Booth Theater stage. He skillfully maneuvers the actors within
scenes that morph into different segments of the story, all the time keeping
the narrative flow unimpeded. His intermittent
use of players within the shadows adds a voyeuristic and humorous touch to the
show. He also imbues the actors with
quirkiness and exuberance, primarily in the club and celebratory scenes.
Scenic Designer Mark Wendland has
presented a multi-leveled set that, with minimal changes, and subtle lighting
effects by Designer Japhy Weideman, effectively combines the claustrophobic nature
of New York City living—at work, home and play.
Significant
Other, amusing and heartbreaking as it explores relationships and
friendships.
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