There have been countless derivations of Arthur Conan Doyle’s masterful detective Sherlock Holmes and his partner Dr. Watson in film, television and the theater. A new entry into this ever-expanding universe is Ms. Holmes and Ms. Watson – Apt. 2B. The show is at Playhouse on Park in West Hartford through February 18.
Stuart Brown is the founder of the 24/7 online Broadway music radio station, Sounds of Broadway (http://www.SoundsofBroadway.com), which plays the best from the Off-Broadway, Broadway, and London stage. Thousands of songs from hundreds of cast albums are in rotation. He reviews NYC theater as a member of the Outer Critics Circle and reviews CT stage productions as a member of the CT Critics Circle. He is also a member of the Dramatist Guild.
Monday, January 29, 2024
Ms. Holmes and Ms. Watson – Apt. 2B - Playhouse on Park
As a long-time Sherlock Holmes fan, I welcome any addition to works
about the iconic sleuth. Unfortunately, playwright Kate Hamill’s
contribution to the Holmes canon falls short with overstuffed intrigue, a
lot of unnecessary schtick, and an unfocused plot that is hard to
follow. Ms. Hamill has had a great deal of success with her
gender-bender take on Jane Austen’s Pride and Prejudice. For that work, she had the luxury of riffing on a classic piece of literature. With Ms. Holmes and Ms. Watson – Apt. 2B, she needed to craft an original mystery with comic overtones. Not an easy task.
The time is the present and we are quickly introduced to Joan
Watson, a spunky, though slightly introverted American seeking solace
from her previous life (the first mystery!). She lets a room, Apt. 2B
(presumably at 221B Baker Street) from the daffy landlady Mrs. Hudson
and is abruptly introduced to the eccentric, melancholy detective
Sherlock (yes, it is also a woman’s name) Holmes. They bicker and
banter until the arrival of Inspector Lestrade of Scotland Yard who
needs their help. The game is suddenly afoot and for the next 2 ½ hours
there is murder, mayhem, and surprises. Familiar characters from the
Holmes books – Irene Adler and Professor Moriarity – are woven into the
production. However, by the show’s conclusion, all the twists and turns
appear disjointed and prove to be unsatisfying.
Director Kelly O’Donnell, who last year won a Connecticut Critics Circle Award as Best Director for Indecent
at Playhouse on Park, keeps the tempo at a heightened speed. Her
staging around the few set pieces in Lindsay G. Fuori’s booklined Scenic
Design are positioned around the stage with rapid-fire pacing. The
direction, utilizing Johann Fitzpatrick’s cagey Light Design and Rachel
Landry’s jokey Sound Design, can be goofy, droll and sporadically
entertaining. There are intermittent laughs especially from the
frequent cultural references (Star Wars, among others) scattered
throughout the script. Most zip by with fleeting acknowledgement. The
brief homage to the Batman TV series, however, does find its humorous
mark.
The cast is game for the mischievousness and roguishness unleashed
by the playwright. The four performers work hard to generate the
irregular laughs. While there is ample time to develop their respective
characters, they still seem more two-dimensional than fully realized.
Kirsten Peacock’s portrayal of the world famous private investigator is
somewhat staid, with only fleeting instances of playfulness. Kelly
Letourneau imbues Joan Watson with a spirited determination, but her
characterization is undermined by a constant reference to her cagey past
and anguish. Megan McDermott, playing multiple roles, primarily Mrs.
Hudson and arch nemesis Irene Adler, seems to be having a lot of fun
with her portrayals, playing them broadly and slightly off-center. Nick
Nudler provides a number of satisfying looks, whether it is as the
lumbering Inspector Lestrade; the wealthy Elliott Monk or the diabolical
Professor Moriarity.
Ms. Holmes and Ms. Watson – Apt. 2B, running through February 18 at Playhouse on Park. Click here for information on dates, times and tickets.
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