Almost
anyone who has seen The Cher Show, the
mildly diverting jukebox musical tracing the highs and lows of the iconic
singer and actress, will agree that Stephanie J. Block, who plays the eldest of
the talented performers playing the show’s namesake, is sensational. Sure to receive a Tony nomination for Best
Actress in a Musical, this year might finally be Ms. Block’s time. Can you believe?
The
production, like last season’s Summer, the
Donna Summer musical, casts three women to play the central character at
different points in her life. There is Babe
(Micaela Diamond), the teenage Cher; Lady (Teal Wicks), who portrays the diva
at mid-career; and Star (Stephanie J. Block), the older, wiser woman. Unlike Summer,
the trio of actresses in The Cher
Show appear in combinations on stage, at many moments all together. In between and during scenes, they discuss
their (her) life, show business choices, celebrate the high moments, and lift
each other up when all seems lost and hopeless.
The
book by Rick Elice, as with many musicals centered on the works of an artist,
is problematic. How should the musical
be structured? What points in a decades
long career should be included and omitted?
The Cher Show combines
episodic moments that are perfunctory and informative along with more imaginative
and artistically satisfying scenes. The result is a show where the parts are
greater than the whole, resulting in a lukewarm mash-up.
The
musical covers all the bases you would expect, starting off with Cher’s
meeting, marriage, and volatile career with Sonny Bono (Jarrod Spector), with significant
emphasis on their television show. There
are her other relationships (Gregg Allman and Rob Camilletti, a.k.a Bagel Boy),
singing career, Hollywood phase, setbacks and comebacks. And, of course, there are the Bob Mackie
costumes in all their minimal and sequined glory. The famous and infamous outfits are paraded
throughout the production.
The
cast is led by the three actresses that play Cher. They are engaging, vivacious, and full of
passion. They also possess powerful
singing voices. While Ms. Diamond and
Ms. Wicks delivered accomplished performances, it is Ms. Block that truly
exudes the star power necessary for the production to succeed at some level. Her mannerisms, facial expressions, and
singing voice are spot on. But, the
seasoned Broadway musical veteran also knows how to deliver a well-rounded,
magnetic performance and, here, she makes the audience her own, just like
Cher. Jarrod Spector has Sonny Bono down
pat, from his nasal vocalizing to his overachieving drive and his Svengali like
control over his wife and partner. Emily
Skinner as Cher’s demanding, but supportive mother, Gloria Holt, makes the most
of her time on stage, providing reassuring and compassionate encouragement.
The
songs include all Cher’s most well-known songs, including “Dark Lady,”
“Gypsies, Tramps and Thieves,” “Believe,” and “If I Could Turn Back Time.” They are passionately and enthusiastically
sung by the cast.
When
Director Jason Moore moves away from the straightforward storytelling, The Cher Show, can shine. This is embodied in the “Dark Lady”
production and the wonderfully frivolous move sequence featuring racks and
racks of Bob Mackie designs. The
director also manages to bring forth an undercurrent of female empowerment as,
but the show’s end, the singer/actress is a more confident, self-directed
performer.
Choreographer
Christopher Gatteli’s dances are energetic and reminiscent of the numbers you
would see on a TV variety show or a Las Vegas extravaganza.
Bob
Mackie’s costumes sizzle with their outrageous and whimsical designs. There’s even one of the more entertaining
production numbers centered on his creations.
The Cher Show, a nostalgic diversion for the true fan.
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