What do friends and family really think
about each other? What secrets or private thoughts, once unsheathed, may
fracture iron-clad friendships or splinter intimate relationships. That’s the
takeaway from The Engagement Party, a gripping world premiere production
at Hartford Stage.
The evening gathering at the Eastside New
York City apartment of Josh (Zach Appelbaum) and Katherine (Beth Riesgraf) is
to celebrate their engagement. Invited
to the party are the bride-to-be’s parents, Gail (Mia Dillon) and Conrad
(Richard Bekins); and Katherine’s best friend Haley (Anne Troup) and her
husband Kai (Brian Lee Huynh). Also
joining the festivities are Alan (Teddy Bergman), a mutual friend and Johnny
(Brian Patrick Murphy), Josh’s childhood pal.
There is gaiety, reminiscing, and a relaxed
liveliness to the evening. Soon,
however, cracks begin to appear in the shimmering veneer. A requested favor, to advance a wife’s career,
is flatly denied. Jealousy over income
levels is exposed. Other tidbits of seemingly
unimportant information seep out in conversation. And then, the simple act of misplacing an engagement
ring—valued at $300,000--swiftly ignites the undercurrent of hostility and
distrust that has been bubbling under the surface all night long, resulting in a
rapid disintegration of civility among the guests and a harrowing secret
finally released.
Playwright Samuel Baum has produced a
well-written, finely plotted play that is both unsettling and uncomfortable, at
times, to watch. But that makes the
production more viewable as its twists and turns keep audience members at the
edge of their seats waiting for the next shoe to drop or soul-searching
accusation to be made. His characters
are vulnerable, pitiful, and confused.
His gut-wrenching finale is like a punch to the stomach, leaving patrons
dazed and in doubt.
The ensemble cast works seamlessly
together. Each actor presents a
well-rounded portrayal of their character.
Director Darko Trenjak self-assuredly
guides the troupe of performers, starting off the action with a mannered
familiarity before he adroitly begins to reveal the cracks and rifts among the
characters. A play like The Engagement Party needs to be
shepherded through its paces carefully for maximum impact. The director, who ends his stint as Artistic
Director at the venerable playhouse this summer, achieves these results with
blistering effectiveness.
Scenic Designer Alexander Dodge has
crafted a modern-looking, sleek, multi-level apartment that is radiantly lit by
Lighting Designer Matthew Richards.
While the rotating structure, revealing three distinct sets is the
embodiment of sophistication, it’s non-thrust nature creates too much of a
divide between audience and performers.
The Engagement
Party, a superb work where trust and truthfulness is in short supply. The 85 minute, intermission-less production
plays at Hartford Stage through February 3rd.
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