Oliver! Is that musical
where you know most of the songs, even if you don’t know you know them. This makes the show, with book, music
and lyrics by Lionel Bart, a perfect Goodspeed style presentation. Surprisingly, there has never been a
production of Oliver!at the East
Haddam theater. [Trivia Note:
selections from Oliver! were
performed on The Ed Sullivan Show the same night The Beatles made their
American debut on the television show.]
“Food, Glorious Food” The cast of Goodspeed Musicals’ Oliver!, now playing at The Goodspeed through September 13. Photo Credit © Photo By: Diane Sobolewski |
The story is based on Charles Dickens classic,
Oliver Twist. It’s a time
where orphaned children were warehoused and poorly treated in squalid
workhouses. Michael Schweikardt’s
set, consisting of an elevated steel catwalk with metal stairs descending to
the minimally designed stage, gives a dark tonal quality to the show as well as
an impression of early 19th century London.
We are introduced to Oliver and his
fellow youthful denizens, all overseen by the cruel and apathetic Mr. Bumble
and Widow Comey, as they somberly, and rhythmically, march down for their daily
portion of gruel. Oliver’s impudence
- “Please sir, I want some more” – sets off a chain of events where he
is sold off to be apprenticed with an undertaker, escapes and travels to
London, and is befriended by the Artful Dodger, the pre-teen leader of a gang
of youthful pickpockets. The
ringleader, an aged criminal named Fagin, welcomes the fresh recruit and
introduces him to the ways of his new world. Mixed in with the group are two former members, Nancy, a
tough, but tenderhearted young woman and Bill Sikes, a twenty-something thug. Circumstances quickly change for Oliver
as he is nabbed by the police on his initial outing. This leads to a drastic change in his destiny as well as the
fortunes of all others.
Lionel Bart’s score offers a dizzying
array of well-known numbers that have such diverse influences as the English
Music Hall and traditional Broadway melodies. They are tuneful, full of life, and will have you humming as
you leave the theater. They
include the opening “Food, Glorious Food,” “Where is Love?,” “It’s a Fine Life,”
and “As Long as He Needs Me.”
James Gray’s choreography is used
sparingly in the show but when utilized provides a welcome Oom-Pah-Pah to the
production.
“You’ve Got to Pick a Pocket or Two” The cast of Goodspeed Musicals’ Oliver!, now playing at The Goodspeed through September 13 Photo Credit © Photo By: Diane Sobolewski |
The cast is superb led by the outstanding
performance of Donald Corren as Fagin.
He fits the role perfectly.
He is a mischievous rascal, more comic foil then villainous
scoundrel. He delivers his two
signature numbers, “You’ve Got to Pick a Pocket or Two” and, especially, “Reviewing
the Situation” with showmanship and panache. Elihah Rayman’s portrayal of Oliver seemed
forced and slightly tentative, at first.
But, as an orphan, this would be his natural inclination. As the show progressed he became more
assured and natural in the role.
His innocence becomes a beacon of hope and optimism. Gavin Swartz is a cocky and confident Artful
Dodger. As a boy living on the
edge he does seem too clean-cut and well mannered. His performance, though, fittingly complements the
virtuousness of Oliver. EJ Zimmerman gives Nancy a tough
exterior but she also imbues the character with an inner tenderness and
understanding. The actress also
possesses a powerful singing voice. Brandon Andrus is appropriately menacing as
the grown rapscallion Bill Sikes.
He is a towering presence that says little, but carries a big stick with
disturbing results. Richard R.
Henry and Joy Hermalyn as, respectively, Mr. Bumble and Widow Comey, provide
strong support and a fine comedic touch to the production.
Director Rob Ruggiero has a firm hand on
the musical whether it’s staging a large-scale, boisterous production number or
delivering a lighter touch on the more tender moments. He effectively starts off the show with
a bleaker outlook that parallels the Dicken’s novel before methodically
changing course with a more uplifting and enriching ambiance. Scenes flow smoothly into one another,
giving the musical a satisfying pacing.
He also deserves praise for corralling the young performers into a
cohesive, workable ensemble.
Oliver!, a golden opportunity
to see this rousing, rarely performed classic. At the Goodspeed Opera House through September 13th.
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