Female Black empowerment is front
and center in Flyin’ West, playing at
the Westport Country Playhouse through June 16th.
The historical drama takes place
in Nicodemus, Kansas, circa 1898, an all-black town that was settled by African
Americans after the Civil War. Two sisters
and their elderly friend are homesteaders battling the elements and themselves
as they strive for a fulfilled life. Enter
sister number three and her husband, direct from London. She would love to return to the small-town
existence. He, a smartly dressed, light
skinned African American, who is having deep financial issues, wants nothing to
do with the town and its residents. This
friction and rancor among the women and husband set off a chain of events,
which changes everyone’s lives forever.
L-R:
Keona Welch, Michael Chenevert, Brenda Pressley, Brittany
Bradford, and Nikiya Mathis in “Flyin’ West,” by Pearl Cleage, directed
by Seret Scott,
at Westport Country Playhouse, now playing through June 16. (203) 227-4177.
www.westportplayhouse.org
Photo by Carol Rosegg
|
Playwright Pearl Cleage has taken
a little-known aspect of the African American migration and population of the
Western United States and created an interesting, somewhat overly drawn-out
tale of survival and women’s self-determination. There is a significant amount of exposition
and plot set-up in Act I. The payoff is
an enthralling, wholly satisfying Act II.
Her main characters are compelling and well-defined as we become
engrossed in their daily activities and their ultimate deed.
The cast is uniformly fine. The three sisters—Brittany Bradford (Fannie),
Nikiya Mathis (Sophie), and Keona Welch (Minnie) as well as Minnie’s husband,
Frank (Michael Chenevert)—are standouts.
Nikiya Mathis, playing the oldest sister, gives her character a
well-worn edge and plain-spoken approach to matters. As a shotgun toting, no-nonsense woman she is
not someone to mess with. Brittany Bradford
is more the ying to her older sister’s yang.
Full of life and spirit she displays an outward radiance and optimistic
demeanor that, nevertheless, masks a burdensome past. Keona
Welch, the baby sister, portrays Minnie as carefree and happy, but layers her
performance with hurt and trepidation.
Michael Chenevert is alternatingly charismatic and chilling as Minnie’s
self-loathing Mulatto husband.
L-R:
Keona Welch, Brittany Bradford, and Nikiya Mathis in “Flyin’ West,” by Pearl Cleage, directed by Seret Scott,
at Westport Country Playhouse, now playing through June 16. (203) 227-4177.
www.westportplayhouse.org
Photo by Carol Rosegg
|
Director Seret Scott’s staging of the
various vignettes in Act I are a mixed bag.
Some are more absorbing then others, which can give the production a meandering
feel. However, in Act II, when the whirlwind
of events leads to a gripping and powerful conclusion Ms. Scott demonstrates an
assured control of the play and its characters.
The interior log cabin Set Design by
Marjorie Bradley Kellogg is spacious and functional, giving audience members a
glimpse to life and hardship on the Kansas plains.
Flyin’
West,
an admirable start to Westport Country Playhouse’s new season.
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