The Sharon Playhouse’s production of the musical Annie is
first-rate entertainment for young and old audiences alike. The success
of the show relies on the strength of the actress playing the title
character, and Avery Hope, who portrays the spunky, resolute orphan, is
marvelous in the role. She lights up the house with her beaming smile,
possesses a powerful singing voice, and commands the stage in all her
scenes.
Annie is rooted in Connecticut musical theater history. The
show had its world premiere at the Goodspeed Opera House in August 1976
and moved to Broadway less than a year later. It is currently the 30th longest running production in Broadway history at 2,377 performances.
Based on Harold Gray’s 1920’s comic strip, Little Orphan Annie, the
show follows Annie and her fellow adolescents residing in an orphanage
run by the perpetually besotted Miss Hannigan. The actress is less evil
and menacing and more just a mean-spirited drunk. By happenstance, the
billionaire Oliver Warbucks decides to treat one of the waifs – guess
who - to a Christmas holiday at his Fifth Avenue mansion. Soon, the
fabulously wealthy industrialist, and his staff, become smitten with the
young lass. Looking to adopt her, Warbucks is temporarily thwarted as
he agrees to help Annie look for her parents, who have been missing for
11 years, offering a fabulous reward upon their arrival. Meanwhile,
Miss Hannigan’s felonious brother Rooster and girlfriend Lily St. Regis,
hatch a plan to con the billionaire by pretending to be Annie’s mother
and father. In the end, their deception is foiled, Annie becomes Annie
Warbucks, and everyone celebrates, even the President FDR.
The Charles Strouse and Martin Charnin score is a modern-day
classic. They songs include “It’s The Hard Knock Life,” “Little Girls,”
“Easy Street,” “You’re Never Fully Dressed Without a Smile” and, of
course, the musical's signature song, “Tomorrow.” Almost every tune
composed by Strouse is a hummable gem. Charnin’s lyrics are smart, yet
simple (“The sun'll come out, tomorrow/Bet your bottom dollar, that
tomorrow/There'll be sun!”).
Thomas Meehan’s book doesn’t play down to the audience and is snappy
and full of comedic moments. Under Carl Andress’s brisk direction, the
show moves steadily and assuredly. The two-hour running time passes
quickly and enjoyably. While not known as a dancing show, Krystyna
Resavy’s choreography adds an entertaining element to a number of
scenes.
The acting corps is led by the buoyant, take charge Ms. Hope,
Courtney Balan’s more comic depiction of Miss Hanigan, and Alan H.
Green’s self-important, man with a heart-of-gold portrayal of Oliver
Warbucks. The featured cast are just as strong, most notably Harrison
Drake as the conniving Rooster Hannigan. Savannah Stevenson conveys a
suitably dignified persona to the role of Grace Farrell, Warbucks’ loyal
right-hand woman. Landry Champlin brings a tinge of humor to her
portrayal of Lily St. Regis, Rooster’s partner in crime. Special
mention to Rudd Anderson for enlivening a number of key roles in the
show. There's also the adorable Sandy, the stray dog that wins Annie's heart. Trained by William Berloni, who began his illustrious career with the Goodspeed production, the pooch is well-behaved and adds a twinkle to the show.
Christopher and Justin Swader’s Scenic Design effectively create sets
over a dozen different scenes. They are enhanced by Karla Woodworth’s
painterly backdrops of New York City, finely lit by Wheeler Moon’s
Lighting Design. Kathleen Deangelis provides a multitude of suitable
depression-area costumes.
Annie, playing at the Sharon Playhouse through August 10. Click here for dates, times, and ticket information.






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