Playwright and performer Sharon
Washington spent part of her formative years living in the New York Public
Library. In her absorbing and
entertaining one-woman show, Feeding the
Dragon, she chronicles this magical experience as well as her family’s life
within the confines of the repository.
In the early 1970’s she and her
family lived in an apartment on the top floor of the St. Agnes branch of the
library. Heated by a coal furnace,
the structure had to be maintained day and night. A custodian was needed, such as her father, and given the
spacious living quarters in exchange for stoking the fire and providing other
routine work in the building. When
the library closed the young girl had free rein to roam the stacks, explore the
interior’s nooks and crannies, and play atop the walled roof of the building.
The talented and ebullient actress does
a laudable job connecting with the Hartford Stage patrons and enthralls the
audience with her after hours adventures.
But her tale is not solely about her personal exploits and hijinks. A good part of the show incorporates
her no-nonsense mother, hard-working father and other family relations. Their character’s interactions help
round out the performance, providing background and depth to the story.
While Ms. Washington’s portrayals
are engaging and her autobiographic memories appealing, Feeding the Dragon lacks a definable dramatic arc that could have
made her story more affecting. There
are junctures during the performance that could have been exploited for more
theatrical moments.
Director Maria Mileaf skillfully paces
the show. She is at her best when
guiding the performer through her impressions and derring-do. She has the actress utilize all of the
inventive set design by Tony Ferrieri, which has steps and risers, composed of
colorful book binders, leading to a small stage. Ann Wrightson’s lighting design and Lindsay Jones’ original
music and sound design add texture and fullness to the production.
Feeding the
Dragon, an enjoyable and winning solo performance.
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