Review by correspondent Tracie Borden.
If you’re not familiar with the plot of the
play Noises Off, receiving a very
funny mounting at the Connecticut Repertory Theater, the opening scene can be
quite disorienting. It takes a few
moments and several plates of sardines to get your bearings and understand that
this is a play-within-a-play about the business of play-making.
The first act opens with the desperate, final
rehearsal of Nothing On. The actors forget their lines, blow their
entrances, and are generally confused and befuddled about such matters as
props. And then there are those plates
of sardines. With Act II we come upon
the company of thespians, several months later, performing the show, rather
badly, as seen from backstage. In the ensuing timeframe, the cast has developed
overlapping romantic liaisons, which results in hilarious complications, fits
of jealous rage and flowers and bottles of whiskey flying about the backstage
area. In Act III we, once again, see the
run through of Nothing On, but this
time from the front of the curtain. At
this point, as the show-within-a-show winds down its tour of the provinces, all
semblance of order and refinement disintegrates hysterically before our eyes.
Playwright Michael Frayn has written a
clever, extremely humorous comedy. He
has crafted a play that is a joy for audiences to behold and for actors to
perform. The author is a master of comedic
wordplay as well as setting up physical challenges to the acting troupe.
Michael Doherty and Jennifer Cody in NOISES OFF by Michael Frayn onstage at Connecticut Repertory Theatre through June 25. Tickets and info at crt.uconn.edu. Photo by Gerry Goodstein. |
The cast is a terrifically talented
group. Standouts include Jennifer Cody,
who plays the actress Dotty Otley. She has
a bewildered and flustered demeanor that keeps the audience in stitches. Ms. Cody is fun to watch and also adds an
athletic and physical bearing to her role.
Jayne Ng brings is strikingly flummoxed as the blonde bombshell Brooke
Ashton. John Bixler, as the flustered
director Lloyd Dallas, is cool, sometimes calm, and not always collected as he
repeatedly attempts to keep his merry band of misfits in line.
Director
Vincent J. Cardinal gives the play a lively, disciplined sheen, which is so
important in a show like this where one false move can spell disaster. He brings precision and exactitude to the
production as well as eliciting both subtle and rollicking performances from
the actors.
Tim
Brown’s set design is also a highlight of the show, switching from a stodgy
drawing room to a multi-level backstage layout of a theater and back to a front
view of the stage.
Noises Off, a very funny farce, playing
at the Connecticut Repertory Theater in Storrs through June 25th.
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