One of the top movie quotes of all
time is “Greed, for lack of a better word, is good,” from
the 1987 film Wall Street (#57 on the
American Film Institute list of 100 Greatest). That catch phrase sums up the basis for the 1986 play, Other People’s Money, which is receiving
a spirited, captivating production at Long Wharf, through December 18th.
The mid-1980’s was a
time when the press was full of stories detailing Wall Street mega-mergers,
hostile takeovers and business excesses.
The battle between ruthless, capitalistic new wavers and old-lined,
traditional companies was at its height.
Playwright Jerry Sterner has taken this notion and created a grippingly
charged tale that seems ripped from the headlines thirty years ago but, sadly,
is still relevant today. Yet
Sterner has crafted a show that is not as black and white as one would
believe. The lines are more gray
when it comes to the intentions and desires of investors and stock holders
verses the wishes of management. The
author has also taken the language of business and corporate takeovers and
translated the vocabulary and terminology into easily understandable language
for a widespread audience.
The show pits corporate
takeover king Larry “The Liquidator” Garfinkle (Jordan Lage) against the
established New England Wire & Cable Company. Garfinkle wants the firm, led by the unpretentious, laid
back owner Andrew Jorgenson (Edward James Hyland) and President Bill Coles
(Steve Routman) to acquiesce to his demands to seize control of the
company. Jorgenson, comforted and
fortified by his long time assistant and beloved, Bea (Karen Ziemba), refuse
Garfinkle’s advances. Instead, the
trio convinces Bea’s daughter Kate (Liv Rooth), a high-powered New York lawyer,
to help parry his advances. There
are tense meetings among Garfinkle and the other protagonists, with the most
heated, yet playful exchanges, between Kate and the Wall Streeter. In the end, alliances shift leading up
to a surprising ending.
The acting troupe is
dynamic and full of intensity and passion, which makes the production such a
treat to watch. Jordan Lage’s
Garfinkle is the key to the show.
The actor gives a richly hued performance as the pompous, vainglorious
and totally self-serving Wall Streeter.
He is repulsive, yet also exudes a sexual aura. This makes, for example, his one-on-one
verbal confrontations with Ms. Rooth’s Kate so provocative and
enthralling. Edward James Hyland layers
Jorgenson with down-to-earth charm and a steely reserve. Liv Rooth, as Kate, is coolly
self-confident in her attempt to save the firm from elimination. She is more then a match for her
nemesis in the production. Steve
Routman gives a fine Machiavellian tint to the shrewd, calculating character
Bill Coles. Karen Ziemba, as Bea,
is fine in a role that doesn’t have the impact or flourish of her fellow cast
members.
Director Marc Bruni
keeps the action taut and engrossing, adroitly building the dramatic tension up
to the startling denouncement. Each
character comes across as believable and true to their convictions. He deftly integrates the action on
stage with short bursts of narration and opinionated polemics from Garfinkle
who, at times, prowls around the perimeter of the stage like a predator
surveying his injured quarry.
Other
People’s Money, a well-orchestrated production that is both
entertaining and thought-provoking. Playing through December 18th.
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