This column was originally posted when the show opened on Broadway. I am reposting it as the play opens at The Bushnell Center for the Performing Arts in Hartford, CT.
In the new Broadway show, The
Curious Incident of the Dog in the Night-Time, a 15-year-old boy with
Asperger’s is thrust into a journey of self-discovery and an examination of
relationships with his mother and father, teachers, and others. Audience
members are given a window into the mind of an individual with this Austism
Spectrum Disorder, thanks to the brilliance of the creative team and director,
Marianne Elliott, and the remarkable performance of Alex Sharp in the lead
role. However, there are traits and actions that Christopher exhibits
which are not fully explained in the drama, a hit in London before opening in
New York this fall. Why does someone like Christopher not want to
be touched? What is the significance of his model train-building
obsession? Why does he need to always tell the truth and be so
literal?
The following will provide
playgoers background information on general Asperger’s characteristics.
Joining me in writing this column is my wife, Jane Thierfeld Brown, a national
authority on students with Aspergers, who has co-authored three books on the subject
and presents on the topic at colleges and universities across the
country. Our goal is to help enrich the theatrical experience of those
attending a performance of this dazzling production by exploring some of the
behaviors in the show at a more rudimentary level.
Cannot Lie - Christopher informs people that he cannot lie. Many
people with Asperger’s are literal and concrete in their thinking so lying does
not make sense to them. Lying, many times, takes premeditation,
manipulation and forethought, something that is incongruous to individuals with
Asperger’s. Therefore, the character of Christopher needs to always tell
the truth.
Being Touched – In the show, Christopher does not like physical
contact. This is very common for individuals with Asperger’s.
Unwarranted or unexpected touching can be overstimulating for many persons on
the spectrum. Often people’s senses are highly acute, much more so then their
neurotypical counterparts. This can make individuals with Asperger’s
predisposed to becoming overly stimulated by lights, sounds, smells and
touch. For some people with Asperger’s being touched can produce
unintentional violent behavior, which may lead to unnecessary restraint and
further anguish by the person with Asperger’s. In The Curious Incident
of the Dog Christpher’s mother and father are the only ones able to touch
and communicate with the boy by raising an upright hand, fingers apart.
The teenager can reciprocate the movement, by touching their outstretched hands
for just a few seconds. This ritual has a secondary effect of calming him
down when agitated.
Being Literal – Individuals with Asperger’s can be very literal in how
they see the world and in their responses. For example, in the show
Christopher is told to be quiet. His simple response is how long he needs
to be silent? He doesn’t understand this is just a figure of speech and,
therefore, doe not know how long he actually cannot speak. This can we be
wearing on other teenagers and adults that do not realize this need.
Individuals like Christopher also do not comprehend the nuances of idioms or
sarcasm, a fact which confounds his parents several times during the
show.
Trains – According to the website of the National Austism Society
of the United Kingdom (http://www.autism.org.uk/), an obsession with trains can
help individuals with Asperger’s “manage [their] anxiety and [give them] some
measure of control over a confusing and chaotic world.” Many people with
Asperger’s are drawn to trains for two reasons. First, is the preciseness
of train schedules, which fits into their need for structure, order, and
predictability. Second, is the orderliness that train track patterns
form. In the show, Christopher spends most of the production laying out
tracks in a certain pattern, which can be seen as one of his coping
mechanisms. In real life, a teenager like Christopher would always
construct the train tracks in the identical arrangement, rarely varying its
sequencing and organization. A possible third reason is the
television show, Thomas the Tank Engine. The high interest in trains and
the easily understood facial expressions of the trains draw many individuals
with Asperger’s to this character/show.
The Grid – What makes the scenic design for the show so effective
and meaningful is its basic floor-to-floor, wall-to-wall black grid
system. It synthesizes all the needs of Christopher—structure, order,
control, predictability and preciseness into the basic math construct of graph
paper. The Grid is a conduit for showing the teenager’s traits, behaviors
and defined movements. Simple in concept, The Grid echo’s Christopher’s
need for order and his way of perceiving the world.
In The Curious Incident of the
Dog in the Night-Time we are introduced to a teenage boy with
Asperger’s. During the production audience members are given a glimpse
into Christopher’s world. It can be confusing and unsettling for him as
well as for people on his periphery. Hopefully, the explanations
presented above will make the theater-going experience more enlightening and
further enhance the virtuosity of the production. The information should
also help us better understand individuals with Asperger’s we interact with in
society.
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