Sue Mengers was the Hollywood
“superagent” to the stars. In her
long career she represented such A-List talent as Barbra Streisand, Gene
Hackman, Burt Reynolds, Faye Dunaway and many more. Her reminisces are the substance for the wisp of a show, I’ll Eat You Last, playing at
Theaterworks in Hartford through August 23rd. The show, a hit on Broadway, because of
the star power of The Divine Bette Midler in the title role, is a one woman production
starring Karen Murphy as the foul-mouthed, self-centered and supremely
confident Mengers.
Ms. Murphy, as Mengers, sits in her
living room overlooking the Hollywood hills and looks back at her life while
waiting for a phone call from Ms. Streisand who has just jumped ship to another
agency. While she waits we are
given highlights of her personal and professional life in a rambling, bawdy,
cigarette and alcoholic fueled, 80 minute, intermission-less monologue. Ms. Mengers and her family fled Nazi
Germany and then, in succession, settled in Utica, New York and the Bronx
before beginning her career as a receptionist at the MCA talent agency in New
York City. In a short time she
moved to various agencies as a secretary before breaking into the business as a
full-fledged agent.
Sue Mengers was a larger-than-life
personality and, therefore, the actress playing the role needs to possess the
same out-sized traits. Karen
Murphy, while a fine comedic actress (her turn as the tart-tongued General
Cartwright in Goodspeed’s recent Guys and
Dolls is a good example) is not someone with an imposing, towering and
charismatic personality the part needs.
This makes her chronicling and entertaining anecdotes come across as
mere stories as opposed to captivating, personally lived moments.
Playwright John Logan has cobbled
together a series of humorous, lively and absorbing yarns that keeps our
interest, but the production feels like an afterthought in his various writing
projects.
Director Don Stephenson keeps Ms.
Murphy busy lighting cigarettes, taking frequents hits on a joint, sipping
spirits and eating candy, but that’s the extent of their collaboration. Mostly, she sits on her white couch and
delivers off-color accounts from her past and 1960’s-1970’s cultural references.
I’ll Eat
You Last, playing through August 23rd.
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